GLOCALIZING SHAKESPEARE  – KOZINTSEV’S KING LEAR AND KUROSAWA’S RAN

dc.contributor.author	Drosu, Claudiu Genaro
dc.date.accessioned	2025-03-25T13:04:36Z
dc.date.available	2025-03-25T13:04:36Z
dc.date.issued	2020
dc.identifier.uri	http://arthra.ugal.ro/handle/123456789/10698
dc.description	Disertație Conducător științific : Conf. dr. Gabriela Iuliana COLIPCĂ-CIOBANU	ro_RO
dc.description.abstract	This paper aims to explore two filmic representations of William Shakespeare’s tragedy of King Lear: Grigori Kozintsev’s King Lear (1971) and Akira Kurosawa’s Ran (1985). The analysis of these filmic texts pays close attention to their status as adaptations and the way they are influenced by the social, cultural and political contexts in which they were produced. Adaptation theories have proven useful in elucidating the intertextual relationships between the Shakespearean hypotext and the filmic hypertexts. In addition, the understanding of the two directors’ times has helped shed light on these Shakespearean films and their topical relevance	ro_RO
dc.language.iso	en	ro_RO
dc.publisher	Universitatea "Dunărea de Jos" din Galați	ro_RO
dc.subject	literatură, film și reprezentări culturale	ro_RO
dc.title	GLOCALIZING SHAKESPEARE – KOZINTSEV’S KING LEAR AND KUROSAWA’S RAN	ro_RO
dc.type	Dissertation Thesis	ro_RO