GLOCALIZING SHAKESPEARE – KOZINTSEV’S KING LEAR AND KUROSAWA’S RAN

dc.contributor.author	DROSU, CLAUDIU-GENARO
dc.date.accessioned	2020-12-09T10:34:30Z
dc.date.available	2020-12-09T10:34:30Z
dc.date.issued	2020-07
dc.identifier.uri	http://arthra.ugal.ro/handle/123456789/7486
dc.description	LUCRARE DE DISERTATIE Coordonator ştiinţific Conf. dr. Gabriela Iuliana COLIPCĂ-CIOBANU	ro_RO
dc.description.abstract	This paper aims to explore two filmic representations of William Shakespeare’s tragedy of King Lear: Grigori Kozintsev’s King Lear (1971) and Akira Kurosawa’s Ran (1985). The analysis of these filmic texts pays close attention to their status as adaptations and the way they are influenced by the social, cultural and political contexts in which they were produced. Adaptation theories have proven useful in elucidating the intertextual relationships between the Shakespearean hypotext and the filmic hypertexts. In addition, the understanding of the two directors’ times has helped shed light on these Shakespearean films and their topical relevance.	ro_RO
dc.language.iso	en	ro_RO
dc.publisher	UNIVERSITATEA "DUNAREA DE JOS" DIN GALATI	ro_RO
dc.title	GLOCALIZING SHAKESPEARE – KOZINTSEV’S KING LEAR AND KUROSAWA’S RAN	ro_RO
dc.type	Dissertation Thesis	ro_RO